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Sohail Daulatzai

Assistant Professor, African American Studies & Film and Media Studies
School of Humanities

Ph.D., University of Southern California, Critical Studies

Phone: (949) 824-4544
Email: sohail.d@uci.edu

University of California
323 Krieger Hall
Mail Code: 6850
Irvine, CA 92697


Research
Interests
U.S. - Muslim relations, Black Internationalism, Race, Cultural Studies, Postcolonial Theory, Cultural Politics of Popular Culture (cinema, hip-hop, sports, etc.), Muslim Diasporas.
   
Appointments University of California President's Postdoctoral Fellow, UCLA Department of Comparative Literature, 2003-2005.
   
Publications Books:

Born To Use Mics: Reading Nas’s Illmatic (with Michael Eric Dyson), in press.

Return of the Mecca: Race, Muslim Diasporas and the Cultures of Black Radicalism (manuscript in progress).

Articles:

“Protect Ya Neck: Muslims and the Carceral Imagination in the Age of Guantánamo (Remix),” in Black Routes To Islam, Hisham Aidi and Manning Marable (eds.), Palgrave Macmillan, forthcoming 2009.

"A Rebel To America: 'N.Y. State of Mind' After the Towers Fell," in Born To Use Mics: Reading Nas's Illmatic, Sohail Daulatzai & Michael Eric Dyson (eds.), Basic Civitas, in press.

“The Birth and Rise of L.A. Rap,” in Movement: Hip-Hop in L.A., 1980’s – Now, Exhibit Catalog, sponsored by City of Los Angeles Department Cultural Affairs, 2007.

“Protect Ya Neck: Muslims and the Carceral Imagination in the Age of Guantánamo,” in Souls, vol. 9, no. 2 (Spring 2007).

“To the East, Blackwards: Bandung Hopes, Diasporic Dreams, and Black/Muslim Encounters in Sam Greenlee’s Baghdad Blues,” in Souls, vol. 8, no. 4 (Fall 2006).

“Blood of a Slave, Heart of a King: Edward Said As B-Boy” in Amer-Asia Journal (Special Issue on the legacy of Edward Said) UCLA Asian American Studies Center Press (Spring 2005).

Freestyle: The Art of Rhyme - Liner Notes for the DVD release on Palm Pictures (dir. by. Kevin Fitzgerald, 2005).

“War At 33 1/3: Hip-Hop, the Language of the Unheard, and the Afro-Asian Atlantic” in The Vinyl Ain’t Final: Hip-Hop and the Globalization of Black Popular Culture, Dipannita Basu & Sid Lemelle (eds.), Pluto Press (2006).

“Inna Babylon: Mutiny and the Soul Rebels From the Subcontinent,” in SAMAR, no.18.

“View the World From American Eyes: Ball, Islam and Dissent in Post-Race America,” in Basketball Jones: America Above the Rim, Todd Boyd & Ken Shropshire (eds.), New York University Press (2000).

“(Re)Birth of a Nation: Islam, Cultural Politics and the Rhetoric of Empire,” Spectator: USC Journal of Film and Television Criticism, Special Issue: “Monitoring Television: Race, Representation and Nationhood,” (Fall/Winter 1998).

“Darker Than Blue, Conversations on the Game: An Interview With Dr. Todd Boyd,” Spectator: USC Journal of Film and Television Criticism, Special Issue: “Monitoring Television: Race, Representation and Nationhood,” (Fall/Winter 1998).
   
Graduate Programs Visual Studies

Culture and Theory

   
Link to this profile http://www.faculty.uci.edu/profile.cfm?faculty_id=5300
   
Last updated 10/17/2008