Director, UCI Humanities Center, Film & Media Studies
Professor, Film & Media Studies
|Frankfurt School, Intellectual History of Cultural Studies, Academic Conflict, Psychoanalysis, Populism, Critical Theory, Frankfurt School|
|URL||UCI Humanities Center|
|Award for Rogue Thought, Slought Foundation, Philadelphia, PA, 2006|
|Appointments||Mellon-Pew Post-doctoral Fellowship, California Insitute of the Arts, 1993-1994|
I am the director of the University of California–Irvine’s
Humanities Collective and professor in Visual Studies and
Film and Media Studies. The American Idyll: Academic Anti-Elitism as Cultural Critique was published by the University of Iowa Press in 2011. It was among other things, a critique of the American meritocracy and the administered life. It is also a revisiting of Richard Hofstadter's critique of American anti-intellectualism. She is interested in the application of efficiency metrics to higher education and sport.
Her new research focuses on competition, play, measurement, psychoanalysis in global media, and strangely enough, sports, D.W. Winnicott, and the cinema of Hou Hsiao-hsien.
She is the author of Oriental Girls Desire
Romance (a novel), Copying Machines: Taking Notes for the Automaton.
She is the author of "Lacan’s Afterlife: Jacques Lacan Meets Andy
Warhol" in The Cambridge Companion to Lacan and the coeditor of The
Dreams of Interpretation: A Century Down the Royal Road. .
She is currently at work on a book on the spatial imagination in D.W.
Winnicott, David Harvey and the cinema of Hou Hsiao-hsien.
|Publications||"Why Psychoanalysis for Cultural Theory" in the Blackwell Companion to Literary Criticism and Psychoanalysis, edited by Laura Marcus and Ankhi Mukherjee, (forthcoming).|
|The American Idyll: Academic Anti-Elitism as Cultural Critique. (University of Iowa Press, 2011)|
|Hou Hsiao hsien's The Flight of the Red balloon (2007) and D.W. Winnicot, in Pyschoanalytic Pscyhology. June, 2011|
|"On Lusitania" (January 2009) for a conference on the http://aboutlusitania.blogspot.com/|
|"American Intellectual Traditions: The Demand for Relevance and the Crisis of the Humanities." Western Humanities Review. Fall 2008: pp. 34-57.|
|"Creativity at Work" The Baffler. vol. 1 no. 17|
|“Art Escapes Criticism or Adorno’s Museum” Cultural Critique. Volume 60. Spring 2005: 217-244. (II)|
|co-editor, John Mowitt, Thomas Pepper, Jakki Spicer. Dreams of Interpretation: A Century. The Dreams of Interpretation: A Century Down the Royal Road. (University of Minnesota Press, 2007)|
|"Afterword" Rrrevolutionnaire. (Slought Foundation, 2007).|
Copying Machines: Taking Notes for the Automaton (University of Minnesota Press, 2000)
“Lacan’s Afterlives: Jacques Lacan meets Andy Warhol,” Cambridge Companion to Lacan (Cambridge University Press, 2003).
“A Brief Genealogy of Privacy: CTRL [Space]: Rhetorics of Surveillance from Bentham to Big Brother,” Grey Room 15 (2004), 102-118.
“The Last Picture Show.” Aperture, May 2004.
“Something for Nothing: How Cultural Studies Trashed the Enlightenment and Welcomed the New Age.” The Common Review, Fall/Winter 2004-5
|Grants||McKnight Land Grant Professorship, University of Minnesota, 1997-1999 Queensland University of Technology Teaching Fellowship, Brisbane, Australia, (Summer 2003) Grant in Aid : University of Minnesota Graduate School (2004-2005) Fulbright Teaching Fellowship to Tainan University of the Arts (2004-2005)|
|Fulbright Teaching Fellowship 2004-2005 at Tainan National University of the Arts|
UC Humanities Network
University of Minnesota 1994—2004
Visiting Associate Professor
Bard College 2003—2004
Queensland University of Technology, Creative Industries, Brisbane Australia 2003
Tainan National University of the Arts
|Research Centers||UCI Humanities Collective|
|UC Consortium of Humanities Centers and Institutes|
|Link to this profile||http://www.faculty.uci.edu/profile.cfm?faculty_id=5274|