Margaret Kimiko MurataProfessor, Music |
|
|
Research Interests |
Music history, Italian Baroque, opera, cantata, performance practice, arie antiche | |
|
Academic Distinctions |
Vice-president, American Musicological Society (1994-96) President, Society for Seventeenth-Century Music (2000-03) |
|
|
Research Abstract |
Italian vocal music, performers, sources, performance practice ca. 1600-1680; opera and theater; theory of performance; opera in Rome; the Barberini manuscripts of music. | |
| Publications | Selected: | |
| Operas for the Papal Court, 1631-1668 (Ann Arbor 1981) | ||
| Source Readings in Music History: The Baroque, 2d ed. (New York 1998) | ||
|
“Image and Eloquence: Secular Song” in The Cambridge History of Seventeenth-Century Music, T. Carter and J. Butt, eds. (Cambridge 2005) “A Topography of the Barberini Music Manuscripts” in I Barberini e la cultura europea del Seicento, Fr. Solinas, L. Mochi Onori, S. Schütze, eds. (Rome [2007]) |
||
| "Scylla and Charybdis, or Steering between Form and Social Context in Seventeenth-Century Music," in Explorations in Music, the Arts, and Ideas, ed. E. Narmour and R. Solie (New York 1988) | ||
|
Professional Societies |
American Musicological Society Society for Seventeenth-Century Music International Musicological Society Società Italiana di Musicologia |
|
| Link to this profile | http://www.faculty.uci.edu/profile.cfm?faculty_id=2659 | |
| Last updated | 12/15/2006 | |